Assignment 1: curved, rounded, smooth

The following shots are my first attempt at these three contrasts.
Curved

1.	2.
3.	4.

These are all based on a granite ball in the garden, it sits on a circle of pebbles and in the summer water flows up through it and trickles down it's surfaces back into a reservoir below. I think that 1,2 and 3 work pretty well. 4's not so good. 3 might be too abstract, with only the edge of the curve being in focus. At the moment I'm thinking that 2 might be the best.

Rounded

1.	2.
3.	4.

These are all taken in the same areas of the garden as the above pictures. The granite sphere is used in shot 1. I think this shot works well. Shots 2, 3 and 4 are 2 Scottish cobbles that I stacked up. Out of these, I think I prefer 4.

Smooth

1.

2.

Same location for these shots. They you go, a less abstract view of the granite sphere in 2. I think that smoothness is conveyed more in 1. I should try turning on the water pump to see if a flow of water over the sphere helps better convey the smoothness of the granite.

Project 15: cropping

Summary of the exercise: Select 3 photos, of different subjects. Produce various crops explaining why you chose them.

Tree

The Original

A different cropof the tree. I removed some of the sky and grass, these weren't particularly interesting. The panoramic style makes the eye travel in the horizontal and the viewer will naturally look to see what's in the distance.

The scenery in the distance. This is another pano, the brightness of the church is the first object to catch the eye, behind the village there are lots of outlines of trees. I picked this crop to show the detail that was in the original, it's a different picture altogther. (This might have been better had I cropped off the left 1/3rd of the frame).

The scenery in the background with a part of the tree and grass in the foreground. I kept part of the tree to add some forground interest. I kept the village church to act as a focal point in the background.

Canal scene

The Original

A close crop of the Lock. This removes much of the foreground that was in the original. This was selected to allow the viewer to concentrate on the action around the lock.

Dafs with the canal. I went for this to show off the dafs whilst keeping some of the key context. I like they way the reflection in the water shows a few chimneys. Not sure about the balance of this shot?

Just the dafs. Cropped in a very narrow portrait format to emphasise their height.

Windmill

The Original

I went for a square crop with much of the surroundings included. This allows the track to lead ones eye into the windmill, the square I think works with the centre placement of the windmill. i put the horrizon on the lower third line.

A very veryical crop. This was intended to keep the track to lead the eye, and then to allow the eye to work it's way up into the frame. I think the sky and clouds are worth including.

I selected this crop, putting the windmill on the lower left, it's on an rules of thirds intersection. I kept the bold blue sky to add to the contrast of the shot.

This shot shows the windmill and some of it's surroundings. I like the heavy looking clouds separated by patches of blue. The windmill in on the right hand 1/3rd vertical.

Project 13: the golden section

After reading the text in the folder, I still had gaps in my understanding of the Golden Section and so went searching for more information. Here's a resource I found useful: Apogee Photo Mag: Creativity and the Rule of Thirds and there's a useful Photoshop script to add a layer to images with the rule of thirds or golden section: GoldenRatio.zip and in addition there are lots of sites that talk about the Fibonacci series and how that relates to it. On with the task, six pictures which fit the rule: "A simple approximation of these proportions is the Rule of Thirds, i.e. if the frame is divided both horizontally and vertically into thirds, lines such as the horizon or important focal points can be placed on or near to the intersection of these divisions to achieve a balanced composition".

Does this fit the Golden Section? The horizon is on a line and the main subject is on an intersection. So Yes.

Does this fit the Golden Section? Top to bottom I think it does may be in the horizontal plane it doesn't.

Does this fit the Golden Section? The boats are on an arc which crosses two of the four intersections. So I think this does.

Does this fit the Golden Section? The orange area fits (just about) in a large rectangle, and in the smaller, diagonally opposite rectangle is the stem, so yes.

Does this fit the Golden Section? Eyes are on the intersections, so I think it does.

Does this fit the Golden Section? The horizon is on a line.

I think these pictures look balanced from a compositional perspective.

Project 11: balance

I've been working on Balance this afternoon, here are my results:

In this shot, if you draw a line along a diagonal that runs through the knife then you have the line along which I have considered the picture. The black area on either side are the two large blocks on the see-saw and the knife sits on the centre. This shot is balanced.

In this picture of the glass, the objects considered for the purpose of balance were the glass and it's shadow. I think this shot is balanced.

This is a picture of some bark on which a sheep has caught some wool. When converting to BW I tried to ensure that there was a balance of tones. Light on the left, medium in the middle and dark on the right. I've put the light, dark and piece of wool on the see-saw. I think this shot is pretty much balanced.

The next shot is some trees at sunset (or slightly after). I considered light and dark areas, the light being the sky and the dark being the trees. (The ground was excluded since it is a dark band running from left to right and doesn't seem to impact the balance along this axis - although it does if you consider the balance vertically). As you can see from my sketch, I think the shot is balanced.

A shot of the local canal, it's the Grand Union Canal as it passes through Berkhamsted. There are plenty of individual items in this photo, but I went for areas; the dark area on the left (includes the building and dark trees/shrubs), the light willow tree and then the light area on the right (includes the pub, the cruiser and the lighter buildings above it). This is maybe a little unbalanced with the left side having more weight. I'm not altogether sure.

Now we are at Ivinghoe Beacon looking at a couple of sheep who are enjoying the scenery (honest). Here I'm not sure exactly how best to analyse the balance of the scene. I've just gone for sheep as the only object to consider, but maybe I should have also considered the grass??? So this is unbalanced.

Open College of Arts - The Art of Photography

I started the course at the end of January 2008 and have been meaning to keep notes on what I've been doing - the logbook - however, thus far, my logbook has been kept to the bear minimum containing just project related notes and so I decided to keep a less tightly focused log in the form of this blog. I've completed most of the projects up to the first assignment, I've yet to complete: 8: Recording a sequence 11: Balance 13: The golden section 15: Cropping I'm collecting photos for each of these (apart from 8) as opportunities present themselves. I've also made a start on the first assignment, Contrasts, my progress can be seen on the flickr site. Here's a sample: That shot was taken at home in the lounge, a black umbrella formed the background, a clamp held the knife, and the camera was on a tripod. I played with the position of the knife until the light (daylight) caught it just right. The most recent work on the assignment was Curved. I decided to use the tracks left by car head/tail lights on a long exposure. Last evening I stood on a bridge over the A41 near Berkhamsted and waited for the light to fade. ISO 50, f/22 and 1 sec - that didn't yield the results I wanted, so wait some more. Whilst standing there, getting cold hands, along passed several police motorcycles with their blue lights flashing, their riders looked up at me :-(, thirty seconds later was another bike, and several unmarked cars escorted by a couple of regular police cars. After reading several articles in recent months about photographers being treated harshly by the police, I was a little concerned that I might get a visit on the bridge. Excuse the quality of the photo, I was trying for long exposures and didn't have the change to change the ISO (I was on 50) and exposure to the point where I might have gotten something sharper. Anyway, I didn't get a visit by the police and I'm still none the wiser regarding who was being escorted. I got a couple of nice shots out of the evenings work, this is "Curved" for my assignment:

And this is just the coloured sky through some trees - a pleasing silhouette.

Back to the projects, I've not really made a stab at project 8. The notes suggest going into the streets and taking 20-30 pictures showing how you approach and shoot a subject. You are to keep the camera to your eye whilst looking and developing the best shot, taking pictures as you proceed. Now, I'm a pretty introverted person, and getting out on the local high street with a camera clamped to my eye and taking pictures which include lots of people (who I've not asked permission from) does fill me with a certain amount of dread. I might do this at the local zoo, where people are expecting cameras.